Hayley Williams Unveils Heartfelt New Track 'Good Ol' Days' Live In Nyc

  • By Imani
  • Oct. 26, 2025, 3:20 p.m.

Hayley Williams Takes On NYC

If you noticed an uptick in Hayley Williams' Instagram activity, rest assured she's thriving. The Paramore frontwoman was busy sharing glimpses of her latest song, "Good Ol' Days," which she premiered live at the Beacon Theatre in New York City on October 23. This new release follows her emotionally charged track "Parachute," continuing her exploration of personal themes.

The Story Behind 'Good Ol' Days'

With a catchy beat and poignant lyrics, Williams' new song dives into the pain of lost love and the bittersweet memories that linger. She sings, "'Cause I miss you, miss kissing your face/Blissin' out to music we made/Who knew, who knew my baby/Who knew the hard times were the good ol' days?" Fans are buzzing, speculating that the lyrics reflect on her Paramore days, particularly the "After Laughter" era when she was romantically linked with bandmate Taylor York.

“Hayley's new song is a nostalgic trip down memory lane, capturing the essence of her journey with Paramore and beyond,” shared a fan on social media.

More to Come from Williams

Williams' fans have more to look forward to, as she hinted at another song on the horizon. Meanwhile, music lovers can already get their hands on the exclusive vinyl edition of her work. This new music venture is complemented by the Paradox x idobi Radio Exclusive T-Shirt, a limited edition collaboration with Beauty School Dropout’s Beepus, which captures the spirit of her innovative sound.

What's Next?

Fans can expect more from Williams as she continues to push boundaries and share her journey through music. Whether it's through live performances, merchandise, or upcoming tracks, her artistic evolution remains a testament to her enduring impact on the music scene.

Imani
Author: Imani
Imani

Imani

Imani follows the money: payouts, contracts, lawsuits, and platform enforcement. With a background in entertainment PR and paralegal work, she breaks complex stories into plain-English playbooks for creators. Her series Follow the Money connects drama to data - who benefits, who pays, and what to do next. Calm, sourced, and courtroom-ready; DTLA is her second office.