Kai Cenat Bounced From Onlyfans – The Bop House Strikes Back With Streaming School!

  • By Imani
  • Sept. 23, 2025, 11:07 a.m.

From OnlyFans Ban to New Beginnings

Kai Cenat, a popular streaming sensation, recently faced a setback when his OnlyFans account was banned. Not one to be easily deterred, Cenat has found an innovative way to channel his energy and expertise. Teaming up with The Bop House, a dynamic content creation group, they’ve launched their own streaming school, aptly named 'Only Like Fans'.

The Bop House's Bold Move

The Bop House, known for its fresh approach to content creation, is stepping up to the plate with this new venture. 'Only Like Fans' is designed to be a hub of knowledge for aspiring streamers. It's an educational platform that promises to teach the ins and outs of thriving in the streaming world. From mastering camera presence to building a loyal audience, the school aims to be a comprehensive guide for content creators.

“This isn't just about bouncing back from a setback—it's about creating something bigger and better,” shared a representative from The Bop House.

What's Next for 'Only Like Fans'?

With streaming becoming an increasingly lucrative career path, 'Only Like Fans' is poised to capitalize on this trend. By providing tools and insights directly from experienced creators, the school seeks to empower newcomers in the digital space. The Bop House's initiative is a testament to the resilience and innovation of today's creators, who continue to redefine the boundaries of entertainment.

Kai Cenat and The Bop House – A Dynamic Duo

Kai Cenat's partnership with The Bop House highlights the power of collaboration in the creator economy. Together, they're not just reacting to challenges but setting new standards for what it means to be successful in the streaming world. Whether you’re new to the scene or a seasoned pro, 'Only Like Fans' is an exciting development that could shape the future of online content.

Imani
Author: Imani
Imani

Imani

Imani follows the money: payouts, contracts, lawsuits, and platform enforcement. With a background in entertainment PR and paralegal work, she breaks complex stories into plain-English playbooks for creators. Her series Follow the Money connects drama to data - who benefits, who pays, and what to do next. Calm, sourced, and courtroom-ready; DTLA is her second office.