Dana White'S Fiery Rant: Ufc'S Celebrity Mix-Up Spices Up Ufc 329

  • By Imani
  • July 14, 2026, noon

Fame and Fumbles: UFC 329's Star-Studded Night

Saturday's UFC 329 promised high-octane thrills both inside and outside the octagon, but it was Dana White's unfiltered rant that truly stole the show. Max Holloway's swift victory over Conor McGregor in the first round set the stage for an eventful evening, yet it was a production blunder involving celebrity attendees that grabbed headlines.

Dana White's NSFW Reaction

UFC President Dana White didn't hold back when his production team mixed up boxing star Shakur Stevenson with Oklahoma City Thunder's guard Jalen Williams during the event. The mistaken identity, caught in real-time by an alert commentator, sparked White's ire. "I just paid Shakur Stevenson a s---load of money, and for some reason we can't figure this celebrity s--- out," White vented post-event, clearly frustrated by the repeated errors.

Sophie Cunningham

Sophie Cunningham

“I just paid Shakur Stevenson a s---load of money, and for some reason we can't figure this celebrity s--- out.”

Star Power vs. Slip-Ups

The star-studded UFC 329 event wasn’t just about the fights. WNBA's Sophie Cunningham also made waves by taking on the role of a UFC ring girl for the night, further driving home the celebrity appeal. However, these high-profile appearances were overshadowed by the production gaffe, leaving fans and analysts questioning UFC's ability to manage its celebrity engagements effectively.

Lessons in the Limelight

While the night was undoubtedly a spectacle, this incident highlights a recurring issue for UFC – ensuring their behind-the-scenes operations match the star power they attract. As White's candid remarks indicate, a little extra attention to detail could go a long way in polishing the organization’s reputation in handling celebrity involvements.

Imani
Author: Imani
Imani

Imani

Imani follows the money: payouts, contracts, lawsuits, and platform enforcement. With a background in entertainment PR and paralegal work, she breaks complex stories into plain-English playbooks for creators. Her series Follow the Money connects drama to data - who benefits, who pays, and what to do next. Calm, sourced, and courtroom-ready; DTLA is her second office.